![]() ![]() ![]() The editors set up the essays in terms of challenging binaries between mind and body, public and private, patron and working-class writer mostly the essays demonstrate convincingly that these categories should not be used too simply. The editors have grouped them into sections covering minds and bodies the feminist political project protest and patronage genres and subjectivities and finally a lone essay (by Elizabeth Eger) on how 18th-century women poets were culled by anthologists of the time, but were also present and influential in ways that have been overlooked even by feminist critics. The essays in this collection pick up these questions in varying ways. ![]()
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